书目

〔中文版编排说明：以下保留原书全部186条可检索的原文著录，并为每条主标题及所载文集标题附中译。作者名、出版机构、卷期、页码、年份、DOI与网址按原文保留。英文著录中的重复作者线仍表示上一位作者。此处的出版年份和引文页码均属于被引文献。〕¶

题名中译：《与特奥多尔·W. 阿多诺的对话（〈明镜〉，1969）》¶

“A Conversation with Theodor W. Adorno (Spiegel, 1969).” Communists in Situ, September 1, 2015. https://cominsitu.wordpress.com/2015/09/01/a-conversation-with-theodor-w-adorno-spiegel-1969/.¶

题名中译：《办公室里的艺术家：一个学院艺术场域的民族志》¶

Adler, Judith. Artists in Offices: An Ethnography of an Academic Art Scene. New York: Routledge, 2017.¶

题名中译：《美学理论》¶

Adorno, Theodor. Aesthetic Theory. Translated by Robert Hullot-Kentor. Minneapolis: University of Minnesota Press, 1996.¶

题名中译：《否定辩证法》¶

---. Negative Dialectics. London: Taylor and Francis e-Library, 2004.¶

题名中译：《关于德国学生运动的通信》¶

Adorno, Theodor, and Herbert Marcuse. “Correspondence on the German Student Movement.” Translated by Esther Leslie. New Left Review I/233 (January-February 1999): 123-36.¶

题名中译：《弗雷德·莫滕访谈，第二部分》¶

“An Interview with Fred Moten, Pt. II.” Literary Hub, August 6, 2015. https://lithub.com/an-interview-with-fred-moten-pt-ii/.¶

题名中译：《激进想象力》；载《祖科蒂公园之外：集会自由与公共空间的占领》¶

Atlas, Caron. “Radical Imagination.” In Beyond Zuccotti Park: Freedom of Assembly and the Occupation of Public Space, edited by Ron Shiffman, 146-55. Oakland: New Village Press, 2012.¶

题名中译：《回想》；载《杰克·戈尔茨坦与加州艺术学院帮》¶

Baldessari, John. “Reflections.” In Jack Goldstein and the CalArts Mafia, edited by Richard Herz, 59-68. Ojai: Minneola Press, 2003.¶

题名中译：《论角色问题》；载《黑人女性：文选》¶

Bambara, Toni Cade. “On the Issue of Roles.” In The Black Woman: An Anthology, edited by Toni Cade Bambara, 101-10. Ann Arbor: University of Michigan Press, 1970.¶

题名中译：《黑人女性：文选》（编）¶

---, ed. The Black Woman: An Anthology. Ann Arbor: University of Michigan Press, 1970.¶

题名中译：《黑色魔法：破坏、目标研究、黑人艺术：诗歌集1961-1967》¶

Baraka, Amiri. Black Magic: Sabotage, Target Study, Black Art: Collected Poetry 1961-1967. Indianapolis: Bobbs-Merrill, 1969.¶

题名中译：《剧场的生命》¶

Beck, Julian. The Life of the Theatre. Ann Arbor: University of Michigan Press, 2008.¶

题名中译：《艺术界》¶

Becker, Howard. Art Worlds. Berkeley: University of California Press, 1982.¶

题名中译：《艺术与价值：古典、新古典和马克思主义经济学中的艺术经济例外性》¶

Beech, Dave. Art and Value: Art’s Economic Exceptionalism in Classical, Neoclassical and Marxist Economics. Chicago: Haymarket, 2015.¶

题名中译：《残酷的乐观主义》；载《情动理论读本》¶

Berlant, Lauren. “Cruel Optimism.” In The Affect Theory Reader, edited by Melissa Gregg and Gregory J. Seigworth, 93-117. Durham: Duke University Press, 2010.¶

题名中译：《人造地狱：参与式艺术与观看者的政治》¶

Bishop, Claire. Artificial Hells: Participatory Art and the Politics of Spectatorship. London: Verso, 2011.¶

题名中译：《作为景观的参与：我们现在身在何处？》；载《作为形式的生活：1991-2011年的社会介入艺术》¶

---. “Participation as Spectacle: Where Are We Now?” In Living as Form: Socially Engaged Art From 1991-2011, edited by Nato Thompson, 34-45. New York: Creative Time, 2012.¶

题名中译：《迪士尼的钱起飞了》（KPFA电台广播）¶

Blau, Herbert. “Disney’s Dough Takes Flight.” March 7, 1970. Berkeley, CA. KPFA radio broadcast.¶

题名中译：《我们应该提出的问题：2006年版导言》；载《面对现实：新社会，去哪里寻找它，如何使它更近》¶

Bracey, John H. “The Questions We Should Be Asking: Introduction to the 2006 Edition.” In C.L.R. James and Grace C. Lee, with the collaboration of Cornelius Castoriadis, Facing Reality: The New Society: Where to Look for It and How to Bring It Closer, 1-8. Chicago: Charles H. Kerr, 2006.¶

题名中译：《编者导言》；载《SOS：呼唤所有黑人：黑人艺术运动读本》¶

Bracey, John H., Jr., Sonia Sanchez, and James Smethurst. “Editors’ Introduction.” In SOS-Calling All Black People: A Black Arts Movement Reader, edited by John H. Bracey Jr., Sonia Sanchez, and James Smethurst, 1-10. Amherst: University of Massachusetts Press, 2014.¶

题名中译：《身在其间》；载《祖科蒂公园之外：集会自由与公共空间的占领》¶

Brawer, Wendy E., and Brennan S. Cavanaugh. “Being There.” In Beyond Zuccotti Park: Freedom of Assembly and the Occupation of Public Space, edited by Ron Shiffman, 49-60. Oakland: New Village Press, 2012.¶

题名中译：《社会中的艺术》第7卷第3期，《加州艺术学院：共同体的序曲》专号（编）¶

Bretteville, Sheila de, Barry Hyams, and Marianne Partridge, eds. Arts in Society 7, no. 3, Special Issue: “California Institute of the Arts: Prologue to a Community” (Fall-Winter 1970). https://digicoll.library.wisc.edu/cgi-bin/Arts/Arts-idx?id=Arts.ArtsSocv07i3¶

题名中译：《自主性：资本主义之下艺术的社会本体论》¶

Brown, Nicholas. Autonomy: The Social Ontology of Art under Capitalism. Durham: Duke University Press, 2019.¶

题名中译：《US组织、黑人权力先锋队政治与统一战线理想：洛杉矶及其他地区》¶

Brown, Scot. “The US Organization, Black Power Vanguard Politics, and the United Front Ideal: Los Angeles and Beyond.” Black Scholar 31, no. 3/4 (Fall/Winter 2001): 21-30.¶

题名中译：《US组织、毛拉纳·卡伦加及其与黑豹党的冲突：对历史话语中宗派主义影响的批判》¶

---. “The US Organization, Maulana Karenga, and Conflict with the Black Panther Party: A Critique of Sectarian Influences on Historical Discourse.” Journal of Black Studies 28, no. 2 (November 1997): 157-70.¶

题名中译：《先锋派理论》¶

Burger, Peter. Theory of the Avant-Garde. Minneapolis: University of Minnesota Press, 1984.¶

题名中译：《加州艺术学院招生简章1969-1970》，系列12.1，《加州艺术学院出版物1963-87》，加州艺术学院档案馆，美国加利福尼亚州巴伦西亚¶

CalArts Admissions Bulletin 1969-1970, Series 12.1, CalArts Publications 1963-87, CalArts Archive, California Institute of the Arts, Valencia, California.¶

题名中译：《黑人权力（1960）》〔译注：题名年份1960照录；本条URL写作1966，与正文相关讨论一致。〕¶

Carmichael, Stokely. “Black Power (1960).” Black Past, July 13, 2010. https://www.blackpast.org/african-american-history/1966-stokely-carmichael-black-power/.¶

题名中译：《塔拉娜·伯克谈共情的力量：Me Too运动的基石》¶

Carroll, Nicole. “Tarana Burke on the Power of Empathy: The Building Block of the Me Too Movement.” USA Today, August 19, 2020. https://www.usatoday.com/in-depth/life/women-of-the-century/2020/08/19/tarana-burke-me-too-movement-19th-amendment-women-of-century/5535976002/.¶

题名中译：《一次访谈》¶

Castoriadis, Cornelius. “An Interview.” Radical Philosophy 56 (Autumn 1990): 35-43.¶

题名中译：《民主社会中的文化》；载《卡斯托里亚迪斯读本》¶

---. “Culture in a Democratic Society.” In The Castoriadis Reader, edited and translated by David Ames Curtis, 338-48. Oxford: Blackwell, 1997.¶

题名中译：《作为程序的民主，作为体制的民主》；载《无意义的涨潮（大眠）》，匿名翻译与编辑，作为公共服务¶

---. “Democracy as Procedure, Democracy as Regime.” In The Rising Tide of Insignificancy (The Big Sleep), translated and edited anonymously as a public service, 329-62. N.p.: Not Bored [2003]. http://www.notbored.org/RTI.pdf.¶

题名中译：《从生态学到自治》；载《卡斯托里亚迪斯读本》¶

---. “From Ecology to Autonomy.” In The Castoriadis Reader, edited and translated by David Ames Curtis, 236-52. Oxford: Blackwell, 1997.¶

题名中译：《马克思主义与革命理论：节选》；载《卡斯托里亚迪斯读本》¶

---. “Marxism and Revolutionary Theory: Excerpts.” In The Castoriadis Reader, edited and translated by David Ames Curtis, 139-95. Oxford: Blackwell, 1997.¶

题名中译：《哲学、政治、自治：政治哲学论文集》¶

---. Philosophy, Politics, Autonomy: Essays in Political Philosophy. Edited by David Ames Curtis. Oxford: Oxford University Press, 1991.¶

题名中译：《自然与自治》；载《碎片中的世界：关于政治、社会、精神分析与想象力的著作》¶

---. “Physis and Autonomy.” In World in Fragments: Writings on Politics, Society, Psychoanalysis, and the Imagination, edited and translated by David Ames Curtis, 331-41. Stanford: Stanford University Press, 1997.¶

题名中译：《政治与社会著作》第1卷，1946-1955：《从批判官僚制到社会主义的积极内容》¶

---. Political and Social Writings, Vol. 1: 1946-1955: From the Critique of Bureaucracy to the Positive Content of Socialism. Translated and edited by David Ames Curtis. Minneapolis: University of Minnesota Press, 1988.¶

题名中译：《权力、政治、自治》；载《哲学、政治、自治：政治哲学论文集》¶

---. “Power, Politics, Autonomy.” In Philosophy, Politics, Autonomy: Essays in Political Philosophy, edited by David Ames Curtis, 143-74. Oxford: Oxford University Press, 1991.¶

题名中译：《社会的原初创制与次级制度》；载《可思之物的形态》¶

---. “Primal Institution of Society and Second-Order Institutions.” In Figures of the Thinkable, translated by Helen Arnold, 91-104. Stanford: Stanford University Press, 2007.¶

题名中译：《精神分析与政治》；载《碎片中的世界：关于政治、社会、精神分析与想象力的著作》¶

---. “Psychoanalysis and Politics.” In World in Fragments: Writings on Politics, Society, Psychoanalysis, and the Imagination, edited and translated by David Ames Curtis, 125-36. Stanford: Stanford University Press, 1997.¶

题名中译：《激进想象力与社会创制的想象界》；载《卡斯托里亚迪斯读本》¶

---. “Radical Imagination and the Social Instituting Imaginary.” In The Castoriadis Reader, edited and translated by David Ames Curtis, 319-37. Oxford: Blackwell, 1997.¶

题名中译：《重新开始革命》；载《卡斯托里亚迪斯读本》¶

---. “Recommencing the Revolution.” In The Castoriadis Reader, edited and translated by David Ames Curtis, 106-38. Oxford: Blackwell, 1997.¶

题名中译：《西方的衰败》；载《无意义的涨潮（大眠）》，匿名翻译与编辑，作为公共服务¶

---. “The Dilapidation of the West.” In The Rising Tide of Insignificancy (The Big Sleep), translated and edited anonymously as a public service, 73-108. N.p.: Not Bored [2003]. http://www.notbored.org/RTI.pdf.¶

题名中译：《希腊与现代的政治想象界》；载《碎片中的世界：关于政治、社会、精神分析与想象力的著作》¶

---. “The Greek and the Modern Political Imaginary.” In World in Fragments: Writings on Politics, Society, Psychoanalysis, and the Imagination, edited and translated by David Ames Curtis, 84-107. Stanford: Stanford University Press, 1997.¶

题名中译：《革命的观念（1989）》；载《无意义的涨潮（大眠）》，匿名翻译与编辑，作为公共服务¶

---. “The Idea of Revolution (1989).” In The Rising Tide of Insignificancy (The Big Sleep), translated and edited anonymously as a public service, 288-310. N.p.: Not Bored [2003]. http://www.notbored.org/RTI.pdf.¶

题名中译：《想象界：社会历史领域中的创造》；载《碎片中的世界：关于政治、社会、精神分析与想象力的著作》¶

---. “The Imaginary: Creation in the Socio-Historical Domain.” In World in Fragments: Writings on Politics, Society, Psychoanalysis, and the Imagination, edited and translated by David Ames Curtis, 3-18. Stanford: Stanford University Press, 1997.¶

题名中译：《社会的想象性创制》¶

---. The Imaginary Institution of Society. Cambridge: MIT Press, 1998.¶

题名中译：《六十年代的运动》；载《碎片中的世界：关于政治、社会、精神分析与想象力的著作》¶

---. “The Movements of the Sixties.” In World in Fragments: Writings on Politics, Society, Psychoanalysis, and the Imagination, edited and translated by David Ames Curtis, 47-57. Stanford: Stanford University Press, 1997.¶

题名中译：《想知道自己会不会游泳，唯一的办法就是下水：一篇导论式访谈》；载《卡斯托里亚迪斯读本》¶

---. “The Only Way to Find Out If You Can Swim Is to Get into the Water: An Introductory Interview.” In The Castoriadis Reader, edited and translated by David Ames Curtis, 1-34. Oxford: Blackwell, 1997.¶

题名中译：《马克思列宁主义的粉碎》；载《碎片中的世界：关于政治、社会、精神分析与想象力的著作》¶

---. “The Pulverization of Marxism-Leninism.” In World in Fragments: Writings on Politics, Society, Psychoanalysis, and the Imagination, edited and translated by David Ames Curtis, 58-69. Stanford: Stanford University Press, 1997.¶

题名中译：《生态学的革命力量》；载《无意义的涨潮（大眠）》，匿名翻译与编辑，作为公共服务¶

---. “The Revolutionary Force of Ecology.” In The Rising Tide of Insignificancy (The Big Sleep), translated and edited anonymously as a public service, 109-23. N.p.: Not Bored [2003]. http://www.notbored.org/RTI.pdf.¶

题名中译：《辩证法的去殖民化》¶

Ciccariello-Maher, George. Decolonizing Dialectics. Durham: Duke University Press, 2017.¶

题名中译：《暴动。罢工。暴动：起义的新时代》¶

Clover, Joshua. Riot. Strike. Riot: The New Era of Uprisings. London: Verso, 2016.¶

题名中译：《过时的共产主义：左翼的替代方案》¶

Cohn-Bendit, Daniel, and Gabriel Cohn-Bendit. Obsolete Communism: The Left-Wing Alternative. Translated by Arnold Pomerans. London: André Deutsch, 1968.¶

题名中译：《萨帕塔民族解放军原住民秘密革命委员会总指挥部公报：我们打破了包围》¶

“Communique from the EZLN’s CCRI-CG: And We Broke the Siege.” Radio Zapatista, August 17, 2019. https://radiozapatista.org/?p=32087&lang=en.¶

题名中译：《哈莱姆黑人艺术剧场：与失落的黑人一代展开新对话》；载《SOS：呼唤所有黑人：黑人艺术运动读本》¶

Cruse, Harold. “The Harlem Black Arts Theater-New Dialogue with the Lost Black Generation.” In SOS-Calling All Black People: A Black Arts Movement Reader, edited by John H. Bracey Jr., Sonia Sanchez, and James Smethurst, 39-45. Amherst: University of Massachusetts Press, 2014.¶

题名中译：《科内利乌斯·卡斯托里亚迪斯：讣告》¶

Curtis, David Ames. “Cornelius Castoriadis: An Obituary.” Salmagundi 118/119 (Spring-Summer 1998): 56.¶

题名中译：《占领作为政治形式》¶

Dean, Jodi. “Occupation as Political Form.” Occupy Everything, April 12, 2012. http://occupyeverything.org/2012/occupation-as-political-form/.¶

题名中译：《评论：一条超红的线》¶

Diehl, Travis. “Op-ed: An Ultra-red Line.” X-tra Online, October 12, 2017. https://www.x-traonline.org/online/travis-diehl-op-ed-an-ultra-red-line/.¶

题名中译：《白墙之白》¶

---. “White-Wall White.” East of Borneo, October 12, 2017. https://eastofborneo.org/articles/white-wall-white/.¶

题名中译：《无国家的公民身份：罗贾瓦革命中“作为意识提升的激进民主”》¶

Dirik, Dilar. “Stateless Citizenship: ‘Radical Democracy as Consciousness-raising’ in the Rojava Revolution.” Identities 29, no. 1 (2022): 27-44. DOI: 10.1080/1070289X.2021.1970978.¶

题名中译：《整场灾难》¶

Duggan, Lisa. “The Full Catastrophe.” Bully Bloggers, August 18, 2018. https://bullybloggers.wordpress.com/2018/08/18/the-full-catastrophe/.¶

题名中译：《乐观的残酷》¶

---. “Optimistic Cruelty.” Social Text, January 15, 2013. http://socialtextjournal.org/periscope_article/optimistic-cruelty/.¶

题名中译：《分离的历史：工人运动的失败》；《尾注》第4期：《统一与分离》¶

Endnotes. “A History of Separation: The Defeat of the Workers Movement.” Endnotes 4: “Unity and Separation” (2015). https://endnotes.org.uk/issues/4/en/endnotes-the-defeat-of-the-workers-movement.¶

题名中译：《布朗诉弗格森》；《尾注》第4期：《统一与分离》¶

---.“Brown v. Ferguson.” Endnotes 4: “Unity and Separation” (2015). https://endnotes.org.uk/issues/4/en/endnotes-brown-v-ferguson.¶

题名中译：《共产化与价值形式理论：导言》；《尾注》第2期：《苦难与价值形式》¶

---. “Communisation and Value Form Theory: Introduction.” Endnotes 2: “Misery and the Value Form” (2010). https://endnotes.org.uk/issues/2/en/endnotes-communisation-and-value-form-theory.¶

题名中译：《我们该怎么办？》；载《共产化及其不满：争论、批判与当代斗争》¶

---. “What Are We to Do?” In Communization and Its Discontents: Contestation, Critique and Contemporary Struggles, edited by Benjamin Noys, 23-40. New York: Minor Compositions, 2012.¶

题名中译：《我们的历史就是未来：立岩反对达科他输油管道，以及原住民抵抗的漫长传统》¶

Estes, Nick. Our History Is the Future: Standing Rock versus the Dakota Access Pipeline, and the Long Tradition of Indigenous Resistance. London: Verso, 2019.¶

题名中译：《US》（1968年4月）；美国司法部联邦调查局¶

Federal Bureau of Investigation, United States Department of Justice. US (April 1968). https://www.governmentattic.org/docs/FBI_Monograph_US_April-1968.pdf.¶

题名中译：《家务劳动有酬化：纽约家务劳动有酬化委员会1972-1973：历史、理论与文献》（编）¶

Federici, Sylvia, and Arlen Austin, eds. Wages for Housework: The New York Wages for Housework Committee 1972-1973: History, Theory and Documents. Brooklyn: Autonomedia, 2017.¶

题名中译：《从（误导性的）教育到教养》¶

Fotopoulos, Takis. “From (Mis)education to Paideia.” International Journal of Inclusive Democracy 2, no. 1 (September 2005). https://www.inclusivedemocracy.org/journal/vol2/vol2_no1_miseducation_paideia_takis.htm.¶

题名中译：《艺术与共谋：博伊尔高地反绅士化斗争如何质疑艺术家的角色》¶

Fragoza, Caribbean. “Art and Complicity: How the Fight against Gentrification in Boyle Heights Questions the Role of Artists.” KCET, July 20, 2016. https://www.kcet.org/shows/artbound/boyle-heights-gentrification-art-galleries-pssst.¶

题名中译：《被压迫者教育学》¶

Freire, Paolo. Pedagogy of the Oppressed. Translated by Myra Bergman Ramos. London: Bloomsbury Academic, 2000.¶

题名中译：《历史的终结与最后的人》¶

Fukuyama, Francis. The End of History and the Last Man. New York: Free Press, 1992.¶

题名中译：《庆祝马丁·路德·金纪念日：夺回我们的运动遗产》¶

Garza, Alicia, and Patrisse Cullors-Brignac. “Celebrating MLK Day: Reclaiming Our Movement Legacy.” Huffington Post, March 20, 2015. https://www.huffpost.com/entry/reclaiming-our-movement-l_b_6498400.¶

题名中译：《雅克·朗西埃：民主的无政府状态》¶

Gavroche, Julius. “Jacques Rancière: The Anarchy of Democracy.” Autonomies, May 10, 2017. https://autonomies.org/2017/05/jacques-ranciere-the-anarchy-of-democracy/.¶

题名中译：《座谈会：六十年代的尺度与意义》；载《SOS：呼唤所有黑人：黑人艺术运动读本》¶

Gerald, Carolyn. “Symposium: The Measure and the Meaning of the Sixties.” In SOS-Calling All Black People: A Black Arts Movement Reader, edited by John H. Bracey Jr., Sonia Sanchez, and James Smethurst, 46-50. Amherst: University of Massachusetts Press, 2014.¶

题名中译：《导言》；载《跨性别马克思主义》¶

Gleeson, Jules Joanne, and Elle O’Rourke. “Introduction.” In Transgender Marxism, edited by Jules Joanne Gleeson and Elle O’Rourke, 1-32. London: Pluto, 2021.¶

题名中译：《人民的办公室》；载《祖科蒂公园之外：集会自由与公共空间的占领》¶

Golan, Gan. “The Office of the People.” In Beyond Zuccotti Park: Freedom of Assembly and the Occupation of Public Space, edited by Ron Shiffman, 70-73. Oakland: New Village Press, 2012.¶

题名中译：《占领华尔街的无政府主义根源》¶

Graeber, David. “Occupy Wall Street’s Anarchist Roots.” Al Jazeera, November 30, 2011. https://www.aljazeera.com/opinions/2011/11/30/occupy-wall-streets-anarchist-roots.¶

题名中译：《街头修辞：若干法律与伦理考量》¶

Haiman, Franklyn S. “The Rhetoric of the Streets: Some Legal and Ethical Considerations.” Quarterly Journal of Speech 53, no. 2 (1967): 99-114. DOI: 10.1080/00335636709382822.¶

题名中译：《四重玻璃天花板：女性艺术家如何在职业生涯的每个阶段受到亏待》¶

Halperin, Julia. “The Four Glass Ceilings: How Women Artists Get Stiffed at Every Stage of Their Careers.” Artnet, December 15, 2017. https://news.artnet.com/market/art-market-study-1179317.¶

题名中译：《政治不服从》；载《占领：关于不服从的三项探究》¶

Harcourt, Bernard E. “Political Disobedience.” In W.J.T. Mitchell, Bernard E. Harcourt, and Michael Taussig, Occupy: Three Inquiries in Disobedience, 3-44. Chicago: University of Chicago Press, 2013.¶

题名中译：《地下公地：逃逸的规划与黑人研究》¶

Harney, Stefano, and Fred Moten. The Undercommons: Fugitive Planning and Black Study. New York: Minor Compositions 2013.¶

题名中译：《马克思主义与民主》；可在“Palinurus：参与政治哲学”网站获取¶

Harrington, Michael. “Marxism and Democracy.” Praxis International 1, no. 1 (April 1981). Available at Palinurus: Engaging Political Philosophy, https://anselmocarranco.tripod.com/id25.html.¶

题名中译：《情境主义国际、社会主义或野蛮，以及马克思主义想象界的危机》；《SubStance》第28卷第3期“居伊·德波”专号¶

Hastings-King, Stephen. “L’Internationale Situationniste, Socialisme ou Barbarie, and the Crisis of the Marxist Imaginary.” SubStance 28, no. 3, Special Issue: “Guy Debord,” edited by Pierpaolo Antonello and Olga Vasile (1999): 26-54. DOI: 10.1353/sub.2006.0007.¶

题名中译：《杰克·戈尔茨坦与加州艺术学院帮》（编）¶

Herz, Richard, ed. Jack Goldstein and the CalArts Mafia. Ojai: Minneola Press, 2003.¶

题名中译：《激浪派经验》¶

Higgins, Hannah. Fluxus Experience. Berkeley: University of California Press, 2002.¶

题名中译：《休伊·P. 牛顿读本》（编）¶

Hilliard, David, and Donald Weise, eds. The Huey P. Newton Reader. New York: Seven Stories, 2002.¶

题名中译：《非学校化社会》¶

Illich, Ivan. Deschooling Society. London: Marion Boyars, 1971.¶

题名中译：《面对现实：新社会，去哪里寻找它，如何使它更近》¶

James, C.L.R., and Grace C. Lee, with the collaboration of Cornelius Castoriadis. Facing Reality: The New Society: Where to Look for It and How to Bring It Closer. Chicago: Charles H. Kerr, 2006.¶

题名中译：《性、种族与阶级：走向胜利的视角：1952-2011年作品选》¶

James, Selma. Sex, Race and Class, The Perspective of Winning: A Selection of Writings 1952-2011. Oakland: PM Press, 2012.¶

题名中译：《未来考古学：名为乌托邦的欲望与其他科幻小说》¶

Jameson, Fredric. Archaeologies of the Future: The Desire Called Utopia and Other Science Fictions. London: Verso, 2005.¶

题名中译：《政治、过程与（爵士）表演：阿米里·巴拉卡的〈民族时刻到了〉》¶

Jones, Meta DuEwa. “Politics, Process and (Jazz) Performance: Amiri Baraka’s ‘It’s Nation Time.’” African American Review 37, no. 2/3 (Summer-Autumn, 2003): 245-52. doi: 10.1632/S0030812921000195.¶

题名中译：《黑人文化民族主义》；载《SOS：呼唤所有黑人：黑人艺术运动读本》¶

Karenga, Ron. “Black Cultural Nationalism.” In SOS-Calling All Black People: A Black Arts Movement Reader, edited by John H. Bracey Jr., Sonia Sanchez, and James Smethurst, 51-54. Amherst: University of Massachusetts Press, 2014.¶

题名中译：《政治的颠覆：欧洲自治运动与日常生活的去殖民化》¶

Katsiaficas, Georgy. The Subversion of Politics: European Autonomous Movements and the Decolonization of Everyday Life. Oakland: AK Press, 2006.¶

题名中译：《对话作品：现代艺术中的共同体与交流》¶

Kester, Grant. Conversation Pieces: Community and Communication in Modern Art. Berkeley: University of California Press, 2004.¶

题名中译：《论社会介入艺术中理论与实践的关系》¶

---. “On the Relationship between Theory and Practice in Socially Engaged Art.” A Blade of Grass, July 29, 2015. https://abladeofgrass.org/fertile-ground/on-the-relationship-between-theory-and-practice-in-socially-engaged-art/.¶

题名中译：《一与多：全球语境中的当代合作艺术》¶

---. The One and the Many: Contemporary Collaborative Art in a Global Setting. Durham: Duke University Press, 2011.¶

题名中译：《玻璃破碎的声音，第二部分：竞合主义与对异议的驯服》¶

---. “The Sound of Breaking Glass, Part II: Agonism and the Taming of Dissent.” e-flux 31 (January 2012). http://www.e-flux.com/journal/the-sound-of-breaking-glass-part-ii-agonism-and-the-taming-of-dissent/.¶

题名中译：《占领华尔街：此刻世界上最重要的事》¶

Klein, Naomi. “Occupy Wall Street: The Most Important Thing in the World Now.” The Nation, October 6, 2011. http://www.thenation.com/article/163844/occupy-wall-street-most-important-thing-world-now.¶

题名中译：《大卫·格雷伯的虚构世界》¶

Kliman, Andrew. “The Make-Believe World of David Graeber.” Marxist Humanities Initiative, April 13, 2012. http://www.marxisthumanistinitiative.org/alternatives-to-capital/the-make-believe-world-of-david-graeber.html.¶

题名中译：《一个艺术可能发生的情境：约翰·巴尔代萨里谈加州艺术学院》〔译注：原著录将Baldessari拼作Baldesarri，保留原文以便追溯。〕¶

Knight, Christopher. “A Situation Where Art Might Happen: John Baldesarri on CalArts.” East of Borneo, November 19, 2011. https://eastofborneo.org/articles/a-situation-where-art-might-happen-john-baldessari-on-calarts/.¶

题名中译：《占领华尔街究竟如何开始》〔译注：原著录日期2017年10月17日照录，URL中的年份为2011。〕¶

Kroll, Andy. “How Occupy Wall Street Really Got Started.” Mother Jones, October 17, 2017. http://www.motherjones.com/politics/2011/10/occupy-wall-street-international-origins.¶

题名中译：《劳拉·欧文斯回应针对南米申路356号的抗议》¶

“Laura Owens Responds to Protests of 356 S. Mission Rd.” Artforum International, November 14, 2017. https://www.artforum.com/news/laura-owens-responds-to-protests-of-356-s-mission-rd-72259.¶

题名中译：《萨帕塔女性致全世界斗争中女性的信》¶

“Letter from the Zapatista Women to Women in Struggle Around the World.” Enlace Zapatista, February 13, 2019. https://enlacezapatista.ezln.org.mx/2019/02/13/letter-from-the-zapatista-women-to-women-in-struggle-around-the-world/.¶

题名中译：《让我们向黑格尔吐口水》；载《意大利女性主义思想读本》¶

Lonzi, Carla. “Let’s Spit on Hegel.” In Italian Feminist Thought: A Reader, edited by Paola Bono and Sandra Kemp, 40-58. London: Basil Blackwell, 1991.¶

题名中译：《政治的回归》；载《自治主义：后政治的政治》¶

Lotringer, Sylvère, and Christian Marazzi. “The Return of Politics.” In Autonomia: Post-Political Politics, edited by Sylvère Lotringer and Christian Marazzi, 8-23. Los Angeles: Semiotext(e), 2007.¶

题名中译：《世界产业工人与萨帕塔主义者：关于无政府主义、马克思主义与激进历史的对话》¶

Lynd, Staughton, and Andrej Grubačić. Wobblies and Zapatistas: Conversations on Anarchism, Marxism and Radical History. Oakland: PM Press, 2008.¶

题名中译：《关系性自主：自主、能动性与社会自我的女性主义视角》（编）¶

MacKenzie, Catriona, and Natalie Stoljar, eds. Relational Autonomy: Feminist Perspectives on Autonomy, Agency and the Social Self. Oxford: Oxford University Press, 2000.¶

题名中译：《占有性个人主义的政治理论：从霍布斯到洛克》¶

MacPherson, C.B. The Political Theory of Possessive Individualism: Hobbes to Locke. Oxford: Oxford University Press, 2011.¶

题名中译：《斯特凡诺·哈尼、弗雷德·莫滕与迈克尔·索耶：“论逃逸美学”》（视频）¶

Made in China Journal. “Stefano Harney, Fred Moten, and Michael Sawyer: ‘On Fugitive Aesthetics.’” Youtube, March 15, 2021. https://youtu.be/iBJh-9caNf4.¶

题名中译：《告基层民众书（1963）》¶

Malcolm X. “Message to the Grassroots (1963).” Black Past, August 16, 2010. https://www.blackpast.org/african-american-history/speeches-african-american-history/1963-malcolm-x-message-grassroots/.¶

题名中译：《艺术作为现实的形式》；载《艺术与解放》，《马尔库塞文集》第4卷¶

Marcuse, Herbert. “Art as Form of Reality.” In Art and Liberation, 140-48. Collected Papers of Marcuse 4. London: Routledge, 2006.¶

题名中译：《论解放》¶

---. Essay on Liberation. Boston: Beacon, 1969.¶

题名中译：《赫伯特·马尔库塞与1968年的学生反抗：一篇未刊演讲》¶

---. “Herbert Marcuse and the Student Revolts of 1968: An Unpublished Lecture.” Jacobin, March 2021. https://jacobinmag.com/2021/03/herbert-marcuse-student-revolts-of-1968-ucsd-lecture.¶

题名中译：《单向度的人：发达工业社会意识形态研究》（1964年初版，2012年重印）¶

---. One-Dimensional Man: Studies in the Ideology of Advanced Industrial Society. 1964; repr. Boston: Beacon, 2012¶

题名中译：《审美之维：走向对马克思主义美学的批判》¶

---. The Aesthetic Dimension: Toward a Critique of Marxist Aesthetics. Boston: Beacon, 1977.¶

题名中译：《作为艺术的政治，作为政治的艺术：自由歌手、生活剧团与公共表演》；载《远去已久：六十年代的美国，彼时与今日》¶

Martin, Bradford. “Politics as Art, Art as Politics: The Freedom Singers, the Living Theatre and Public Performance.” In Long Time Gone: Sixties America Then and Now, edited by Alexander Bloom, 159-88. Oxford: Oxford University Press, 2001.¶

题名中译：《剧场就在街头：二十世纪六十年代美国的政治与公共表演》¶

---. The Theater Is in the Street: Politics and Public Performance in 1960s America. Amherst: University of Massachusetts Press, 2004.¶

题名中译：《为什么艺术市场的“超级明星经济学”是其最大的威胁》¶

McAndrew, Claire. “Why the ‘Superstar Economics’ of the Art Market Is Its Biggest Threat.” Artsy, November 27, 2017. https://www.artsy.net/article/artsy-editorial-superstar-economics-art-market-threat.¶

题名中译：《罢工艺术：当代艺术与后占领处境》¶

McKee, Yates. Strike Art: Contemporary Art and the Post-Occupy Condition. London: Verso, 2016.¶

题名中译：《性别差异：社会-符号实践理论》¶

Milan Women’s Bookshop Collective. Sexual Difference: A Theory of Social-Symbolic Practice. Translated by Patrizia Cicogna and Teresa de Lauretis. Bloomington: Indiana University Press, 1990.¶

题名中译：《“滚出去！”博伊尔高地活动者称白人艺术精英正在毁掉这个街区……但事情很复杂》¶

Miranda, Carolina A. “‘Out!’ Boyle Heights Activists Say White Art Elites Are Ruining the Neighborhood … But It’s Complicated.” Los Angeles Times, October 14, 2016. https://www.latimes.com/entertainment/arts/miranda/la-et-cam-art-gentrification-boyle-heights-20161014-snap-story.html.¶

题名中译：《艺术洗白，或者，社会实践与社会再生产之间》¶

Miranda, Magally, and Kyle Lane-McKinley. “Artwashing, or, Between Social Practice and Social Reproduction.” A Blade of Grass, February 1, 2017. http://www.abladeofgrass.org/fertile-ground/artwashing-social-practice-social-reproduction/.¶

题名中译：《图像、空间、革命：占领的艺术》；载《占领：关于不服从的三项探究》¶

Mitchell, William. “Image, Space, Revolution: The Arts of Occupation.” In W.J.T. Mitchell, Bernard E. Harcourt, and Michael Taussig, Occupy: Three Inquiries in Disobedience, 93-129. Chicago: University of Chicago Press, 2013.¶

题名中译：《#BlackLivesMatter前线的酷儿性｜原创｜MSNBC》（视频）¶

MSNBC. “Queerness on the Front Lines of #BlackLivesMatter | Original | msnbc.” YouTube, February 20, 2015. https://www.youtube.com/watch?v=0YHs9jIH-oo.¶

题名中译：《黑人艺术运动》；载《SOS：呼唤所有黑人：黑人艺术运动读本》¶

Neal, Larry. “The Black Arts Movement.” In SOS-Calling All Black People: A Black Arts Movement Reader, edited by John H. Bracey Jr., Sonia Sanchez, and James Smethurst, 55-66. Amherst: University of Massachusetts Press, 2014.¶

题名中译：《支配与破坏》；载《自治主义：后政治的政治》¶

Negri, Toni. “Domination and Sabotage.” In Autonomia: Post-Political Politics, edited by Sylvère Lotringer and Christian Marazzi, 62-71. Los Angeles: Semiotext(e), 2007.¶

题名中译：《共同体间主义（1974）》¶

Newton, Huey P. “Intercommunalism (1974).” Viewpoint Magazine, June 11, 2018. https://www.viewpointmag.com/2018/06/11/intercommunalism-1974/.¶

题名中译：《妇女解放运动与同性恋解放运动（1970）》¶

---. “The Women’s Liberation and Gay Liberation Movements (1970).” Black Past, April 17, 2018. https://www.blackpast.org/african-american-history/speeches-african-american-history/huey-p-newton-women-s-liberation-and-gay-liberation-movements/.¶

题名中译：《联合起来反对共同的敌人：1971年10月13日》；载《休伊·P. 牛顿读本》¶

---. “Uniting Against a Common Enemy: October 13, 1971.” In The Huey P. Newton Reader, edited by David Hilliard and Donald Weise, 234-40. New York: Seven Stories, 2002.¶

题名中译：《恶性速度》（原著录标为编）¶

Noys, Benjamin, ed. Malign Velocities. Winchester: Zero Books, 2014.¶

题名中译：《白立方内部：画廊空间的意识形态》¶

O’Dougherty, Brian. Inside the White Cube: The Ideology of the Gallery Space. Santa Monica: Lapis Press, 1976.¶

题名中译：《自主的重要性：为“为艺术而艺术”作马克思主义辩护》¶

Petsche, Jackson. “The Importance of Being Autonomous: Toward a Marxist Defense of Art for Art’s Sake.” Mediations: Journal of the Marxist Literary Group 26, nos. 1-2 (Fall-Spring 2013): 143-58. https://www.mediationsjournal.org/articles/the-importance-of-being-autonomous.¶

题名中译：《催泪瓦斯抗议后，沃伦·坎德斯退出惠特尼董事会》¶

Pogrebin, Robin, and Elizabeth A. Harris. “Warren Kanders Quits Whitney Board after Tear Gas Protests.” The New York Times, July 25, 2019. https://www.nytimes.com/2019/07/25/arts/whitney-warren-kanders-resigns.html.¶

题名中译：《跨性别自由主义的局限》¶

Raha, Nat. “The Limits of Trans Liberalism.” Verso Books (blog), September 21, 2015. https://www.versobooks.com/blogs/2245-the-limits-of-trans-liberalism-by-nat-raha.¶

题名中译：《美学及其不满》¶

Rancière, Jacques. Aesthetics and Its Discontents. Translated by Steven Corcoran. Cambridge: Polity, 2009.¶

题名中译：《歧感：论政治与美学》¶

---. Dissensus: On Politics and Aesthetics. Edited and translated Steven Corcoran. London: Bloomsbury 2010¶

题名中译：《感性的分配：政治与美学》；载《美学的政治：感性的分配》¶

---. “The Distribution of the Sensible: Politics and Aesthetics.” In The Politics of Aesthetics: The Distribution of the Sensible, edited by Gabriel Rockhill, 12-19. London: Continuum, 2004.¶

题名中译：《解放的观众》¶

---. The Emancipated Spectator. Translated by Gregory Elliot. London: Verso, 2011.¶

题名中译：《政治艺术的悖论》；载《歧感：论政治与美学》¶

---. “The Paradoxes of Political Art.” In Dissensus: On Politics and Aesthetics, edited and translated Steven Corcoran, 134-51. London: Bloomsbury 2010.¶

题名中译：《美学的政治：感性的分配》¶

---. The Politics of Aesthetics: The Distribution of the Sensible. Edited by Gabriel Rockhill. London: Continuum, 2004¶

题名中译：《女人屋》；载《女性主义艺术的力量》¶

Raven, Arlene. “Womanhouse.” In The Power of Feminist Art, edited by Judith Brodsky, Norma Broude, and Mary Garraude, 48-65. New York: Harry Abrams, 1994.¶

题名中译：《在萨克拉门托采访里根，第二部分》（新闻影像，17分45秒）¶

“Reagan Interview in Sacramento, Part II.” KQED News, January 16, 1969. San Francisco State University, Academic Technology Archives, Diva. 17:45. https://diva.sfsu.edu/collections/sfbatv/bundles/187218.¶

题名中译：《使民主设计在地化》；载《祖科蒂公园之外：集会自由与公共空间的占领》¶

Rios, Michael. “Emplacing Democratic Design.” In Beyond Zuccotti Park: Freedom of Assembly and the Occupation of Public Space, edited by Ron Shiffman, 133-42. Oakland: New Village Press, 2012.¶

题名中译：《激进历史与艺术政治》¶

Rockhill, Gabriel. Radical History and the Politics of Art. New York: Columbia University Press, 2014.¶

题名中译：《朗西埃富有成效的矛盾：从美学的政治到艺术实践的社会政治性》¶

---. “Rancière’s Productive Contradictions: From the Politics of Aesthetics to the Social Politicity of Artistic Practice.” Symposium 15, no. 2 (Fall 2011): 28-56.¶

题名中译：《撰稿人特蕾西·珍妮·罗森塔尔回应劳拉·欧文斯》（原著录注明网站已停用）¶

Rosenthal, Tracy Jeanne. “Contributor Tracy Jeanne Rosenthal Responds to Laura Owens.” Daily Gentrifier, November 27, 2017. https://thedailygentrifier.com/news/2017/11/27/tracy-rosenthal-responds-to-laura-owens-la-artwashing (site discontinued).¶

题名中译：《文化阶级：艺术、创造力、城市主义，第二部分》¶

Rosler, Martha. “Culture Class: Art, Creativity, Urbanism, Part II.” e-flux 23 (March, 2011). https://www.e-flux.com/journal/23/67813/culture-class-art-creativity-urbanism-part-ii/.¶

题名中译：《苏珊娜·莱西谈弗雷斯诺与加州艺术学院的女性主义艺术项目》¶

Roth, Moira. “Suzanne Lacy on the Feminist Art Program at Fresno and Calarts.” East of Borneo, December 15, 2011. https://eastofborneo.org/articles/suzanne-lacy-on-the-feminist-program-at-fresno-state-and-calarts.¶

题名中译：《我们这群人可厉害得很》〔译注：BaddDDD在这里取黑人英语中带赞叹意味的“厉害”之意；重复字母保留口语强调与节奏效果，英文题名照存。〕¶

Sanchez, Sonia. We a BaddDDD People. Detroit: Broadside Press, 1973.¶

题名中译：《一所以艺术家想做的事为基础的学校：艾莉森·诺尔斯谈加州艺术学院》¶

Sarbanes, Janet. “A School Based on What Artists Wanted to Do: Alison Knowles on CalArts.” East of Borneo, August 7, 2012. https://eastofborneo.org/articles/a-school-based-on-what-artists-wanted-to-do-alison-knowles-on-calarts/.¶

题名中译：《教（不是教）艺术（不是艺术）》；载《艺术可能发生之处：加州艺术学院的早期岁月》¶

---. “Teaching (Which Is Not Teaching) Art (Which Is Not Art).” In Where Art Might Happen: The Early Years of Calarts, edited by Philipp Kaiser and Christina Vegh, 155-68. Munich: Prestel Publishing, 2021.¶

题名中译：《艾莉莎·米兰诺谈#MeToo运动：“我们再也不会容忍了”》¶

Sayej, Nadja. “Alyssa Milano on the #MeToo Movement: ‘We’re Not Going to Stand for It Any More.’” The Guardian, December 1, 2017. https://www.theguardian.com/culture/2017/dec/01/alyssa-milano-mee-too-sexual-harassment-abuse.¶

题名中译：《论人的审美教育》¶

Schiller, Friedrich. On the Aesthetic Education of Man. Translated by Reginald Snell. Kettering: Angelico Press, 2014.¶

题名中译：《烟花悲剧：一座“神奇”的墨西哥小镇，烟火既是生计，也常常意味着死亡》¶

Schmidt, Samantha. “Fireworks Tragedy: The ‘Magical’ Mexican Town Where Pyrotechnics Are Life-and Too Often Death.” Houston Chronicle, December 21, 2016. http://www.chron.com/news/nation-world/world/article/Fireworks-tragedy-The-magical-Mexican-town-10811226.php.¶

题名中译：《如何画出一条（纠察）线：活动者抗议博伊尔高地画廊的一场活动》¶

Shaked, Nizan. “How to Draw a (Picket) Line: Activists Protest Event at Boyle Heights Gallery.” Hyperallergic, February 14, 2017. https://hyperallergic.com/358652/how-to-draw-a-picket-line-activists-protest-event-at-boyle-heights-gallery/.¶

题名中译：《我为何辞去〈X-TRA当代艺术季刊〉职务，以及356 Mission政治立场的问题》¶

---. “Why I Am Resigning from X-TRA Contemporary Art Quarterly and the Problem with 356 Mission’s Politics.” Hyperallergic, April 27, 2018. https://hyperallergic.com/440234/x-tra-contemporary-art-quarterly-356-mission-boyle-heights/.¶

题名中译：《超越东方主义：探索罗贾瓦民主邦联主义独特的女性主义》¶

Shahvisi, Arianne. “Beyond Orientalism: Exploring the Distinctive Feminism of Democratic Confederalism in Rojava.” Sussex Research Online. http://sro.sussex.ac.uk/id/eprint/80502/.¶

题名中译：《有人称之为艺术：从想象的自主性到自主的集体性》¶

Sholette, Gregory. “Some Call It Art: From Imaginary Autonomy to Autonomous Collectivity.” Subsol. http://subsol.c3.hu/subsol_2/contributors3/sholettetext.html.¶

题名中译：《论个体性与社会形式》¶

Simmel, Georg. On Individuality and Social Forms. Chicago: University of Chicago Press, 1972.¶

题名中译：《早期卡斯托里亚迪斯：社会主义、野蛮与官僚制线索》¶

Singer, Brian. “The Early Castoriadis: Socialism, Barbarism and the Bureaucratic Thread.” Canadian Journal of Political and Social Theory 3, no. 3 (1979): 35-56. https://journals.uvic.ca/index.php/ctheory/article/view/13829.¶

题名中译：《占领语言：与历史和当下的秘密约会》¶

Sitrin, Marina, and Dario Azzelini. Occupying Language: The Secret Rendezvous with History and the Present. Brooklyn: Zuccotti Park, 2012.¶

题名中译：《黑人艺术运动》；载《非裔美国人研究关键词》¶

Smethurst, James. “Black Arts Movement.” In Keywords for African American Studies, edited by Erica R. Edwards, Roderick A. Ferguson, and Jeffrey O.G. Ogbar, 19-22. New York: NYU Press, 2018.¶

题名中译：《资本主义》；载《科内利乌斯·卡斯托里亚迪斯：核心概念》¶

Smith, Jeremy C.A. “Capitalism.” In Cornelius Castoriadis: Key Concepts, edited by Suzi Adams, 155-66. London: Bloomsbury, 2014.¶

题名中译：《现代艺术博物馆的预算，大致相当于1989年150家博物馆的预算总和》¶

Smith, Melissa. “MOMA’s Budget Is About the Same Size as the Budget of 150 Museums in 1989 Combined.” Quartz, May 24, 2014. https://qz.com/207299/momas-endowment-is-about-the-same-size-as-the-budget-of-150-museums-in-1989-combined/.¶

题名中译：《教养》；载《科内利乌斯·卡斯托里亚迪斯：核心概念》〔译注：原题写作Paidea，通常拼作Paideia；原文著录照存。〕¶

Straume, Ingerid. “Paidea.” In Cornelius Castoriadis: Key Concepts, edited by Suzi Adams, 143-54. London: Bloomsbury, 2014.¶

题名中译：《我气得做了一块标语牌》；载《占领：关于不服从的三项探究》¶

Taussig, Michael. “I’m So Angry I Made A Sign.” In W.J.T. Mitchell, Bernard E. Harcourt, and Michael Taussig, Occupy: Three Inquiries in Disobedience, 45-92. Chicago: University of Chicago Press, 2013.¶

题名中译：《康巴希河集体宣言（1977）》¶

“The Combahee River Collective Statement (1977).” Black Past. https://www.blackpast.org/african-american-history/combahee-river-collective-statement-1977/.¶

题名中译：《〈陷落之后：来自被占领的加利福尼亚的公报〉导言》¶

“The Introduction from After the Fall: Communiqués from Occupied California.” libcom, February 16, 2010. https://libcom.org/library/introduction-after-fall-communiqu%C3%A9s-occupied-california.¶

题名中译：《现在》¶

The Invisible Committee. Now. Translated by Robert Hurley. South Pasadena: Semiotext(e), 2017.¶

题名中译：《即将到来的起义》¶

---. The Coming Insurrection. Los Angeles: Semiotext(e), 2009.¶

题名中译：《致我们的朋友》¶

---. To Our Friends. Translated by Robert Hurley. South Pasadena: Semiotext(e), 2015.¶

题名中译：《作为形式的生活》；载《作为形式的生活：1991-2011年的社会介入艺术》¶

Thompson, Nato. “Living as Form.” In Living as Form: Socially Engaged Art From 1991-2011, edited by Nato Thompson, 16-33. New York: Creative Time, 2012.¶

题名中译：《跨越时间与空间的华尔街占领》¶

---. “The Occupation of Wall Street Across Time and Space.” Transversal Texts, October 2011. https://transversal.at/transversal/1011/thompson/en.¶

题名中译：《呼吁》〔译注：原著录将Tiqqun拼作Tiqqn，照存。〕¶

[Tiqqn/Invisible Committee]. “The Call.” Anarchist Library. https://theanarchistlibrary.org/library/anonymous-call.¶

题名中译：《诗歌与黑人解放：自由的狂烈激情（回忆）》；载《SOS：呼唤所有黑人：黑人艺术运动读本》¶

Touré, Asia. “Poetry and Black Liberations: Freedom’s Furious Passions (Reminiscences).” In SOS-Calling All Black People: A Black Arts Movement Reader, edited by John H. Bracey Jr., Sonia Sanchez, and James Smethurst, 25-30. Amherst: University of Massachusetts Press, 2014.¶

题名中译：《去殖民化不是一个隐喻》¶

Tuck, Eve, and K. Wayne Yang. “Decolonization Is Not a Metaphor.” Decolonization: Indigeneity, Education and Society 1, no. 1 (2012): 1-40. https://jps.library.utoronto.ca/index.php/des/article/view/18630.¶

题名中译：《帮派战争：作为第三方的母亲》¶

Ury, William. “Gang Warfare: Mothers as Thirdsiders.” The Third Side. https://thirdside.williamury.com/mothers-as-thirdsiders/.¶

题名中译：《告别这一切：绅士化抗议的温床博伊尔高地，目送画廊离去》¶

Wagley, Catherine G. “Good-Bye to All That: Boyle Heights, Hotbed of Gentrification Protests, Sees Galleries Depart.” ARTnews, June 8, 2018. http://www.artnews.com/2018/06/08/good-bye-boyle-heights-hotbed-gentrification-protests-sees-galleries-depart/.¶

题名中译：《W.A.G.E.呼吁艺术家要求报酬，并拒绝向2019年惠特尼双年展提供内容》¶

Weber, Jasmine. “W.A.G.E. Asks Artists to Demand Payment and Withhold Content from 2019 Whitney Biennial.” Hyperallergic, January 23, 2019. https://hyperallergic.com/481246/w-a-g-e-asks-artists-to-demand-payment-and-withhold-content-from-2019-whitney-biennial.¶

题名中译：《副董事长与武器制造商的关系曝光后，惠特尼美术馆馆长写信回应》¶

---. “Whitney Museum Director Pens Letter After Vice Chair’s Relationship to Weapons Manufacturer Is Publicized.” Hyperallergic, December 3, 2018. https://hyperallergic.com/474176/whitney-museum-director-pens-letter-after-vice-chairs-relationship-to-weapons-manufacturer-is-publicized.¶

题名中译：《写在沙上：致（年轻的）女性艺术家与艺术史家的信》；载《重描女性主义艺术项目》¶

Wilding, Faith. “Written in the Sand: Letter to (Young) Women Artist and Art Historians.” In re:tracing the feminist art program, ed. Ulrike Muller. http://www.encore.at/retracing/index2.html.¶

题名中译：《马克思主义与文学》¶

Williams, Raymond. Marxism and Literature. Oxford: Oxford University Press, 1977.¶

题名中译：《攻打天堂：意大利自治主义马克思主义中的阶级构成与斗争》¶

Wright, Stephen. Storming Heaven: Class Composition and Struggle in Italian Autonomist Marxism. London: Pluto, 2002.¶